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Why Celebrity Is the Scourge of Modern Civilization

In a weird moment of blogospheric convergence, I was in the middle of reading this story about the horrors of celebrity drug use when Rannoch Donald emailed me with a scathing comment about it.

The nut of the story is typically hand-wringing and simplistic:

Dealing too leniently with celebrities who use drugs sends out the wrong message to young people, the United Nations drugs watchdog has said.

Philip Emafo, president of the International Narcotics Control Board (INCB), warned against treating famous drug users too softly. When celebrities took illegal drugs, he said, it glamorised narcotics abuse.

And Rannoch's reaction to it is appropriately bullshit-detecting:

Great to see we've finally worked out how to deal with those pesky drugs: bang up the celebs. The problem is not the celebs themselves; they were damaged goods before success took the brakes off their appetites. It's our obsession with them and their lifestyles; that "being a celebrity" is the career choice of many tells you all you need to know. "If I was a celebrity I wouldn't be so fat/unhappy/bald/ugly ..." Is there gene therapy for that?

(The "gene therapy" crack actually refers to another story in the news today, about how happiness starts with our genes.)

I'm tempted to say that the problem with drugs isn't that celebrities glamorize them (or "glamorise," as our friends in the UK prefer). It's that old farts make such a BFD out of them. But that would be glib, inaccurate, and unfair to the millions of people around the world whose lives are ruined by drug addiction, often through no fault of their own; they have the bad luck of being the child of addicts, or otherwise related or connected to people whose drug use wreaks collateral damage on everyone in their proximity.

But let's get back to the celebrities:

Fame, in Western civilization, has a narrative structure. You're born to be a god or hero, you perform spectacular feats of strength or bravery or intellect, and then when you get to the top, you screw up. The gods get to remain gods despite their blunders -- the monotony of their immortality has a lot to do with their need to beat the hornet's nest from time to time -- but the mortals or semi-mortals who achieve fame pay a terrible price. The demons that drive them to greatness inevitably get the better of them.

The narrative has different variations for different characters in Greek mythology. The powerful Hercules was able to atone for his youthful indiscretions (and I've got to say, murdering his wife and children gave him a lot more to atone for than your typical actress skipping out on her rehab). But the pathetic Icarus, the impetuous young man who flew too close to the sun, never got that second chance. (Dude never even got laid.)

Today, whether we're talking about sports, entertainment, or politics, we still seek out the basic narrative the Greeks crafted in their poetry and theater. They entertained themselves with stories of fallen heroes for the simple reason that a hero who never stumbles is boring as shit.

The trinity of celebrityhood that I mentioned -- athletes, entertainers, politicians -- provide ready-made fodder for the narrative. The talent, magnetism, energy, and narcissism that drive people into the spotlight are the same qualities that make them likely to screw up at some point. It's just a matter of time.

It could be drugs, it could be sex, it could be money. The younger the celebrities are, and the less deserving of all the attention they're getting (not to mention the money they're making), the more likely it is that the fall will come sooner rather than later.

So let's not kid ourselves: It's not drugs they're glamorizing. It's celebrity itself, the most powerful intoxicant of all.

Thursday blog meat

  • I've written a bunch of times about why driving while talking on a cell phone is much more dangerous than it seems if you're the person on the phone (here and here, for starters). Now yet another study makes the same point.
  • Another interesting story sent my way by Rannoch: Here's a brain-scanning breakthrough right out of the worst nightmares of our most paranoid science-fiction writers.

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Cell phone use
So is that any different than listening to a book on CD while driving then?  

by burgels on Mar 6, 2008 11:22 AM EST   0 recs

My guess ...
... is that it is different. Listening to the radio or a book on CD is a one-way communication. But a cell-phone conversation is two-way, and these brain scans show that having a two-way conversation causes important parts of the brain to focus on that instead of the road.

Which brings up another good question: Why is a cell-phone conversation different from a regular conversation with someone who's sitting in the passenger seat?

Taking one more guess, I'd say it has something to do with the parts of the brain that process visual information. When we have a conversation, we use visual clues to interpret what the other person is saying, and how that person reacts to what we're saying.

When the other person is in the car, we can get a sense of those nonverbal clues without having to look over at the person the entire time. (Even in a non-driving conversation, we don't necessarily look at the other person the entire time, either.)

But when the conversation is on a phone, our brains are searching for that visual information, and making it up if it isn't readily available. After all, it's not like we evolved as creatures who communicate electronically with other creatures hundreds or thousands of miles away.

For whatever reasons, that need for visual feedback supercedes the need to focus on our driving (another skill that isn't part of our evolutionary history).

Radio and audiobooks, on the other hand, are one-way communications. We can listen to music or news without having to visualize the singer or broadcaster's nonverbal information.

Does that make sense?

If anyone reading this knows better, feel free to correct me.

by Lou Schuler on Mar 6, 2008 12:37 PM EST to parent up   0 recs

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